Did Wilt Chamberlain Really Sleep With 20,000 Women?

Brian Bahr/Allsport/Getty Images
Brian Bahr/Allsport/Getty Images

At 7'1", Wilt Chamberlain may have been the most dominating and amazing basketball player of all time. In his legendary career, Chamberlain scored 31,419 points, including the unbelievable time he actually scored 100 points in one game. He holds dozens of unbreakable basketball records.

In addition to his accomplishments on the court, Chamberlain also authored four books. None of the others created nearly the stir and controversy as his 1991 book, A View From Above. In it, the basketball great claimed to have slept with 20,000 different women during his life.

A media firestorm erupted, and Chamberlain was attacked from all sides. The country was at the height of the AIDS crisis, and activists criticized Wilt for his promiscuity. He also came under fire in African-American circles for promoting black racial stereotypes. And feminists resented his blatant sexism for using women in such a manner.

To Wilt's credit (I guess), he never backed down from his claim, never said he was just "bragging" or "stretching the truth." He simply stated: "I was just laying it out there for people who were curious."

Wilt was emphatic that he never went to bed with a married woman. "I was just doing what was natural—chasing good-looking ladies, whoever they were and wherever they were." But could he really sleep with 20,000 different women? Let's analyze it.

DOING THE MATH

If Wilt started at the age of 15, from then up to the age of 55 (when the book was published) he would have had 40 years to sleep with 20,000 women, or 500 different women a year—easy math.

That works out to roughly 1.4 women a day.

According to close friends, Wilt loved threesomes. According to legend, he was intimate with 23 different women on one 10-day road trip. Wilt was also a lifelong insomniac, sometimes just not sleeping at all. He probably would take a woman to bed any time he couldn't fall asleep.

But the time factor is an interesting point. A close childhood friend, Tom Fitzhugh, said, "I don't remember him having a date. He was probably a virgin when he left high school." So let us assume Wilt really started around the age of 18, which ups the average to 1.5 women per day for 37 years.

Additionally, he did have a six-month schedule, for 14 seasons, of playing professional basketball. That's 82 games a season, not including playoffs, exhibitions, practices, and travel time.

The fact that he said 20,000 different women also leaves little time for repeats, or love. And what about sickness? Everyone gets sick once in a while, which would have cost Wilt precious time during those 37 to 40 sexually active years.

But most incredibly, even with those reported 20,000 sexual liaisons, Wilt is not known to have contracted any serious sexually transmitted diseases. Nor was there ever a woman who came forward with an unplanned pregnancy, a "little Wilt," or a paternity suit.

And what about turndowns? Every guy in human history has been turned down by a woman at some point. One can only wonder at Wilt's rejections ... probably extremely few, to manage that 20,000 record.

In a 1999 interview, shortly before he died, Wilt made the following revealing statement:

"Having a thousand different ladies is pretty cool, I've learned in my life. I've (also) found out that having one woman a thousand different times is more satisfying."

So perhaps he made time for repeats after all.

Chamberlain died of heart failure in 1999 in Bel-Air, California, at the age of 63.

As a sidebar, Wilt was a huge hero of mine—my supreme basketball hero, as a kid and to this day. I wore Wilt's number 13 on my jersey as I ineptly played for my synagogue's basketball team. (I scored 18 points in 18 games, a nifty 1.0 scoring average.)

Many years later, I met "Wilt the Stilt" at a book-signing for the infamous A View From Above, and I even got to shake his hand. It was, far and away, the biggest hand I have ever seen (or shaken). He didn't just shake my hand—he engulfed it!

What's the Difference Between Pigeons and Doves?

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iStock

To the layman, the difference between pigeons and doves has something to with color, maybe. Or location. Or general appeal (doves usually get much better press than pigeons do). But what’s the actual, scientific difference between doves and pigeons?

As it turns out, there isn’t one. Paul Sweet, the collection manager for the department of ornithology at the American Museum of Natural History, says the difference is more linguistic than taxonomic.

“The word dove is a word that came into English from the more Nordic languages, whereas pigeon came into English from French,” Sweet tells Mental Floss.

Both dove and pigeon refer to the 308 species of birds from the Columbidae family, Sweet says. There’s no difference between a pigeon and a dove in scientific nomenclature, but colloquial English tends to categorize them by size. Something called a dove is generally smaller than something called a pigeon, but that’s not always the case. A common pigeon, for example, is called both a rock dove and a rock pigeon.

“People just have their own classification for what makes them different,” Sweet says. “So in the Pacific, for example, the big ones might get called pigeons and the smaller ones might be called doves, but they’re actually more closely related to each other than they are to other things in, say, South America, that are called pigeons and doves.”

The difference boils down to linguistic traditions, so feel free to tell people you’re releasing pigeons at your wedding or that you’re feeding doves in the park. Scientifically speaking, you’ll be correct either way.

Have you got a Big Question you'd like us to answer? If so, let us know by emailing us at bigquestions@mentalfloss.com.

What Is the Wilhelm Scream?

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iStock

What do Star Wars, The Lord of the Rings, Pirates of the Caribbean, Harold and Kumar Go to White Castle, Toy Story, Reservoir Dogs, Titanic, Anchorman, 22 Jump Street, and more than 200 other films and TV shows have in common? Not much besides the one and only Wilhelm Scream.

The Wilhelm Scream is the holy grail of movie geek sound effects—a throwaway sound bite with inauspicious beginnings that was turned into the best movie in-joke ever when it was revived in the 1970s.

Just what is it? Chances are you’ve heard it before but never really noticed it. The Wilhelm Scream is a stock sound effect that has been used in both the biggest blockbusters and the lowest low-budget movies and television shows for over 60 years, and is usually heard when someone onscreen is shot or falls from a great height.

First used in the 1951 Gary Cooper western Distant Drums, the distinctive yelp began in a scene in which a group of soldiers wade through a swamp, and one of them lets out a piercing scream as an alligator drags him underwater.

As is the case with many movie sound effects, the scream was recorded later in a sound booth with the simple direction to make it sound like “a man getting bit by an alligator, and he screams.” Six screams were performed in one take, and the fifth scream on the recording became the iconic Wilhelm (the others were used for additional screams in other parts of the movie).

Following its debut in 1951, the effect became a regular part of the Warner Bros. sound library and was continually used by the studio’s filmmakers in their movies. Eventually, in the early 1970s, a group of budding sound designers at USC’s film school—including future Academy Award-winning sound designer Ben Burtt—recognized that the unique scream kept popping up in numerous films they were watching. They nicknamed it the “Wilhelm Scream” after a character in the first movie they all recognized it from, a 1963 western called The Charge at Feather River, in which a character named Private Wilhelm lets out the pained scream after being shot in the leg by an arrow.

As a joke, the students began slipping the effect into the student films they were working on at the time. After he graduated, Burtt was tapped by fellow USC alum George Lucas to do the sound design on a little film he was making called Star Wars. As a nod to his friends, Burtt put the original sound effect from the Warner Bros. library into the movie, most noticeably when a Stormtrooper is shot by Luke Skywalker and falls into a chasm on the Death Star. Burtt would go on to use the Wilhelm Scream in various scenes in every Star Wars and Indiana Jones movie, causing fans and filmmakers to take notice.

Directors like Peter Jackson and Quentin Tarantino, as well as countless other sound designers, sought out the sound and put it in their movies as a humorous nod to Burtt. They wanted to be in on the joke too, and the Wilhelm Scream began showing up everywhere, making it an unofficial badge of honor. It's become bigger than just a sound effect, and the name “Wilhelm Scream” has been used for everything from a band name, to a beer, to a song title, and more.

But whose voice does the scream itself belong to? Burtt himself did copious amounts of research, as the identity of the screamer was unknown for decades. He eventually found a Warner Bros. call sheet from Distant Drums that listed actors who were scheduled to record additional dialogue after the film was completed. One of the names, and the most likely candidate as the Wilhelm screamer, was an actor and musician named Sheb Wooley, who appeared in classics like High Noon, Giant, and the TV show Rawhide. You may also know him as the musician who sang the popular 1958 novelty song “Purple People Eater.”

Have you got a Big Question you'd like us to answer? If so, let us know by emailing us at bigquestions@mentalfloss.com.

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