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Rich Fury/Getty Images for Canada Goose

10 Things You Might Not Know About Michael Shannon

Rich Fury/Getty Images for Canada Goose
Rich Fury/Getty Images for Canada Goose

With critical acclaim for his portrayal of the fish man’s nemesis in Guillermo del Toro's The Shape of Water and his current turn as a lawman butting heads with David Koresh in the Paramount Network’s Waco, people are increasingly waking up to the fact that Michael Shannon is a national treasure. With his sharply-etched face and looming frame, Shannon’s formidable screen presence tends to elevate whatever project he’s involved with. (The 2017 Bigfoot holiday comedy Pottersville is one possible exception.) Here are 10 things you might not have known about the actor.

1. HE DOES NOT LIKE HIS PERFORMANCES BEING INTERRUPTED BY VOMIT.

Michael Shannon appears at the Golden Globe Awards
Frazer Harrison, Getty Images

Shannon got his start as a theater performer and often appears in stage plays between film roles. While appearing on Broadway in 2012 for a play titled Grace, Shannon told the Chicago Tribune that he began to grow irritated when an obvious commotion in the audience broke his concentration. Believing someone might have been drunk, he complained to the stage manager afterwards. The man informed that him someone in the balcony had vomited into the orchestra section, causing widespread panic. In retrospect, Shannon admitted the crowd was “pretty restrained” in their reaction.

2. HIS FIRST FILM ROLE WAS 25 YEARS AGO IN GROUNDHOG DAY.

Migrating from his native Kentucky, Shannon performed theater work in Chicago before trying his luck in Hollywood. His first role was opposite Bill Murray in 1993’s Groundhog Day, where Murray’s character gifts him with tickets to WrestleMania. Shannon was just 18 years old at the time.

3. HE DOES NOT GIVE A SH*T ABOUT SUPERHEROES FIGHTING.

Michael Shannon stands in front of a truck at the 'Man of Steel' premiere
Mike Coppola, Getty Images

One of Shannon’s highest-profile roles to date was the Kryptonian supervillain General Zod in 2013’s Man of Steel. While he did not reprise the role for 2016’s Batman vs. Superman: Dawn of Justice, that did not stop one enterprising reporter from asking if he was picking sides in the fictional superhero faceoff. After explaining that he fell asleep while trying to watch the movie on a plane, he told Vulture that he was “profoundly, utterly unconcerned” with who would win.

“I can’t even come up with a fake answer,” he said. ”I guess I have to root for Superman because he killed me, so I would hope that he would continue his killing spree and become like a serial killer Superman. That’s a new take on Superman. We’d all be in a heap of trouble if Superman was a serial killer. He could just wipe us all out. But then he’d be lonely.”

4. TALK SHOWS WERE AMBIVALENT ABOUT HAVING HIM ON.

With his dry sense of humor, Shannon’s offscreen persona can sometimes have people doubting whether he’d make for a good late-night talk show guest. In 2013, he told The New York Times that his aloof disposition may have cost him an appearance on David Letterman, an invitation he had been coveting since he was a teenager. “How many movies do you gotta do to get on David Letterman?” he asked. “All I’ve wanted since I was 15 freaking years old was to be on David Letterman. I mean, I’m in Man of Steel. I think they all think I’ll be violent.”

Following this interview, Shannon was booked to appear on Letterman's show. No one was harmed.

5. HIS DAUGHTER HAD NO INTEREST IN HIS ACTION FIGURE.

A General Zod toy that resembles Michael Shannon
Amazon

Playing General Zod afforded Shannon the opportunity to have his likeness etched into toy form, from action figures to elaborate and expensive collector's items. Asked whether his young daughter thought that was interesting, Shannon told the The A.V. Club that a diminutive version of her father held little intrigue. “I can’t say she, personally, is terribly interested in them,” he said. “She’s more into the My Little Pony and Tinkerbell thing.”

6. YOU WILL NOT FIND SHANNON ON SOCIAL MEDIA.

Michael Shannon appears at the Toronto Film Festival
Jonathan Leibson, Getty Images

Do not expect Michael Shannon to retweet a particularly poignant cat or dog video. In 2012, he told The A.V. Club that social media is not part of his routine. “I don’t do any of that social media stuff. I have people telling me all the time, ‘You should do Twitter, you should do this, you should get on Facebook.’ Are you insane? I’m not doing any of that crap. I stay the hell off that thing. Every once in a while, I send a business email, and that’s it.”

7. HE WORRIES HIS STOMACH WILL RUMBLE DURING AUDIOBOOK RECORDINGS.

A 2012 photo of Michael Shannon
Mike Coppola, Getty Images

Shannon was invited to read the audiobook for playwright and actor Sam Shepard’s final book, Spy of the First Person. While he felt honored to be asked to be a voice for the late author, Shannon told the Chicago Tribune that voiceover work was not without its hazards. “I spent a lot of time trying to breathe quietly, and dealing with stomach noise,” he said.” They had a little bowl of breakfast bars in the recording studio, and the producer at one point says to me, ‘You should eat one of the breakfast bars.’ And I said, ‘Nah, I don’t like breakfast bars.’ So he says, ‘Well, put a pillow over your stomach, then.’”

8. HE PLAYED A SHIRTLESS TRIBUTE TO DAVID BOWIE ON STAGE.

Shannon’s acting chops are not in question, but not many people know he’s prepared to rock out when the moment presents itself. He formed the rock band Corporal in 2002 and released an album in 2010. For a tribute concert in January 2018 dedicated to the late David Bowie, Shannon threw away his shirt and got on stage to channel Iggy Pop and perform “Lust for Life.”

9. LOTS OF PEOPLE JUST ASSUMED HE’D BE PLAYING DAVID KORESH IN WACO.

Michael Shannon is photographed during a public appearance
Roy Rochlin, Getty Images

With his intense stare and brooding demeanor, Shannon is often invited to portray characters that descend into either lawlessness or outright madness. For the Paramount Network’s Waco, he’s a federal agent trying to outmaneuver religious cult leader David Koresh. As soon as people heard “Waco,” however, they assumed he’d be playing the unhinged one.

"I actually got mad at [film director] Ethan Coen,” he told GQ. “I was on an airplane and Ethan was sitting behind me. He said, ‘What are you doing here?’ And I said, ‘I’m shooting Waco.’ And he’s like, ‘And playing Koresh?’ I’m like, ‘Damn! Why does everybody always ask me if I’m playing Koresh?’ I forgot for a second I was talking to Ethan Coen. I really kind of regretted it afterwards. I should have stifled my irritation.”

10. “SHANNONING” IS BECOMING A THING.

Michael Shannon and Octavia Spencer make an appearance to promote 'The Shape of Water'
Robyn Beck, AFP/Getty Images

On the set of The Shape of Water, Shannon’s penchant for getting things right in a single take did not go unnoticed by the rest of the cast. Speaking with The Verge, Shannon said that his last name became a verb that denotes excellence in performing. “Octavia [Spencer] came up with this term on set, ‘Shannoning,’ where you get something right in one take,” he said. “Every once in a while, after one take, Guillermo would be like ‘That’s perfect!’ and Octavia would say, ‘I Shannoned it!’”

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10 Things You Might Not Know About Steve Martin
NBC Television/Courtesy of Getty Images
NBC Television/Courtesy of Getty Images

Is there anything Steve Martin can't do? In addition to being one of the world's most beloved comedians and actors, he's also a writer, a musician, a magician, and an art enthusiast. And he's about to put a number of these talents on display with Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life, a new comedy special that just arrived on Netflix. To commemorate the occasion, here are 10 things you might not have known about Steve Martin.

1. HE WAS A CHEERLEADER.

As a yellleader (as he refers to it in a yearbook signature) at his high school in Garden Grove, California, Martin tried to make up his own cheers, but “Die, you gravy-sucking pigs,” he later told Newsweek, did not go over so well.

2. HIS FIRST JOB WAS AT DISNEYLAND.

Martin’s first-ever job was at Disneyland, which was located just two miles away from his house. He started out selling guidebooks, keeping $.02 for every book he sold. He graduated to the Magic Shop on Main Street, where he got his first taste of the gags that would later make his career. He also learned the rope tricks you see in ¡Three Amigos! from a rope wrangler over in Frontierland.

3. HE OWES HIS WRITING JOB WITH THE SMOTHERS BROTHERS TO AN EX-GIRLFRIEND.

Thanks to a girlfriend who got a job dancing on The Smothers Brothers Comedy Hour, Martin landed a gig writing for the show. He had absolutely no experience as a writer at the time. He shared an office with Bob Einstein—better known to some as Super Dave Osborne or Marty Funkhauser—and won an Emmy for writing in 1969.

4. HE WAS A CONTESTANT ON THE DATING GAME.

While he was writing for the Smothers Brothers, but before he was famous in his own right, Martin was on an episode of The Dating Game. (Spoiler alert: He wins. But did you have any doubt?)

5. MANY PEOPLE THOUGHT HE WAS A SERIES REGULAR ON SATURDAY NIGHT LIVE.

Martin hosted and did guest spots on Saturday Night Live so often in the 1970s and '80s that many people thought he was a series regular. He wasn't. 

6. HIS FATHER WROTE A REVIEW OF HIS FIRST SNL APPEARANCE.

After his first appearance on SNL, Martin’s father, the president of the Newport Beach Association of Realtors, wrote a review of his son’s performance in the company newsletter. “His performance did nothing to further his career,” the elder Martin wrote. He also once told a newspaper, “I think Saturday Night Live is the most horrible thing on television.”

7. HE POPULARIZED THE AIR QUOTE.

If you find yourself making air quotes with your fingers more than you’d really like, you have Martin to thank. He popularized the gesture during his guest spots on SNL and stand-up performances.

8. HE QUIT STAND-UP COMEDY IN THE EARLY 1980S.

Martin gave up stand-up comedy in 1981. “I still had a few obligations left but I knew that I could not continue,” he told NPR in 2009. “But I guess I could have continued if I had nothing to go to, but I did have something to go to, which was movies. And you know, the act had become so known that in order to go back, I would have had to create an entirely new show, and I wasn't up to it, especially when the opportunity for movies and writing movies came around.”

9. HE'S A MAJOR ART COLLECTOR.

As an avid art collector, Martin owns works by Pablo Picasso, Roy Lichtenstein, David Hockney, and Edward Hopper. He sold a Hopper for $26.9 million in 2006. Unfortunately, being rich and famous doesn’t mean Martin is immune to scams: In 2004, he spent about $850,000 on a piece believed to be by German-Dutch modernist painter Heinrich Campendonk. When Martin tried to sell the piece, “Landschaft mit Pferden” (or "Landscape With Horses") 15 months later, he was informed that it was a forgery. Though the painting still sold, it was at a huge loss.

10. HE'S AN ACCOMPLISHED BLUEGRASS PERFORMER.

Many people already know this, but we’d be remiss if we didn’t mention that he’s an extremely accomplished bluegrass performer. With the help of high school friend John McEuen, who later became a member of the Nitty Gritty Dirt Band, Martin taught himself to play the banjo when he was 17. He's been picking away ever since. If you see him on stage these days, he’s likely strumming a banjo with his band, the Steep Canyon Rangers. As seen above, they make delightful videos.

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Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.
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Star Wars Premiered 41 Years Ago … and the Reviews Weren’t Always Kind
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.

A long time ago (41 years, to be exact) in a galaxy just like this one, George Lucas was about to make cinematic history—whether he knew it or not. On May 25, 1977, moviegoers got their first glimpse of Star Wars, Lucas’s long-simmering space opera that would help define the concept of the Hollywood “blockbuster.” While we're still talking about the film today, and its many sequels and spinoffs (hello, Solo), not every film critic would have guessed just how ingrained into the pop culture fabric Star Wars would become. While it charmed plenty of critics, some of the movie’s original reviews were less than glowing. Here are a few of our favorites (the good, the bad, and the Wookiee):

"Star Wars is a fairy tale, a fantasy, a legend, finding its roots in some of our most popular fictions. The golden robot, lion-faced space pilot, and insecure little computer on wheels must have been suggested by the Tin Man, the Cowardly Lion, and the Scarecrow in The Wizard of Oz. The journey from one end of the galaxy to another is out of countless thousands of space operas. The hardware is from Flash Gordon out of 2001: A Space Odyssey, the chivalry is from Robin Hood, the heroes are from Westerns and the villains are a cross between Nazis and sorcerers. Star Wars taps the pulp fantasies buried in our memories, and because it's done so brilliantly, it reactivates old thrills, fears, and exhilarations we thought we'd abandoned when we read our last copy of Amazing Stories."

—Roger Ebert, Chicago Sun-Times

Star Wars is not a great movie in that it describes the human condition. It simply is a fun picture that will appeal to those who enjoy Buck Rogers-style adventures. What places it a sizable cut about the routine is its spectacular visual effects, the best since Stanley Kubrick’s 2001Star Wars is a battle between good and evil. The bad guys (led by Peter Cushing and an assistant who looks like a black vinyl-coated frog) control the universe with their dreaded Death Star."

—Gene Siskel, Chicago Tribune

Star Wars is like getting a box of Cracker Jack which is all prizes. This is the writer-director George Lucas’s own film, subject to no business interference, yet it’s a film that’s totally uninterested in anything that doesn’t connect with the mass audience. There’s no breather in the picture, no lyricism; the only attempt at beauty is in the double sunset. It’s enjoyable on its own terms, but it’s exhausting, too: like taking a pack of kids to the circus. An hour into it, children say that they’re ready to see it again; that’s because it’s an assemblage of spare parts—it has no emotional grip. “Star Wars” may be the only movie in which the first time around the surprises are reassuring…. It’s an epic without a dream. But it’s probably the absence of wonder that accounts for the film’s special, huge success. The excitement of those who call it the film of the year goes way past nostalgia to the feeling that now is the time to return to childhood."

—Pauline Kael, The New Yorker

"The only way that Star Wars could have been interesting was through its visual imagination and special effects. Both are unexceptional ... I kept looking for an 'edge,' to peer around the corny, solemn comic-book strophes; he was facing them frontally and full. This picture was made for those (particularly males) who carry a portable shrine within them of their adolescence, a chalice of a Self that was Better Then, before the world's affairs or—in any complex way—sex intruded."

—Stanley Kauffmann, The New Republic

“There’s something depressing about seeing all these impressive cinematic gifts and all this extraordinary technological skills lavished on such puerile materials. Perhaps more important is what this seems to accomplish: the canonization of comic book culture which in turn becomes the triumph of the standardized, the simplistic, mass-produced commercial artifacts of our time. It’s the triumph of camp—that sentiment which takes delight in the awful simply because it’s awful. We enjoyed such stuff as children, but one would think there would come a time when we might put away childish things.”

—Joy Gould Boyum, The Wall Street Journal

Star Wars … is the most elaborate, most expensive, most beautiful movie serial ever made. It’s both an apotheosis of Flash Gordon serials and a witty critique that makes associations with a variety of literature that is nothing if not eclectic: Quo Vadis?, Buck Rogers, Ivanhoe, Superman, The Wizard of Oz, The Gospel According to St. Matthew, the legend of King Arthur and the knights of the Round Table … The way definitely not to approach Star Wars, though, is to expect a film of cosmic implications or to footnote it with so many references that one anticipates it as if it were a literary duty. It’s fun and funny.”

—Vincent Canby, The New York Times

"Viewed dispassionately—and of course that’s desperately difficult at this point in time—Star Wars is not an improvement on Mr Lucas’ previous work, except in box-office terms. It isn’t the best film of the year, it isn’t the best science fiction ever to be translated to the screen, it isn’t a number of other things either that sweating critics have tried to turn it into when faced with finding some plausible explanation for its huge and slightly sinister success considering a contracting market. But it is, on the other hand, enormous and exhilarating fun for those who are prepared to settle down in their seats and let it all wash over them.”

—Derek Malcolm, The Guardian

“Strip Star Wars of its often striking images and its high-falutin scientific jargon, and you get a story, characters, and dialogue of overwhelming banality, without even a ‘future’ cast to them. Human beings, anthropoids, or robots, you could probably find them all, more or less like that, in downtown Los Angeles today. Certainly the mentality and values of the movie can be duplicated in third-rate non-science fiction of any place or period. O dull new world!”

—John Simon, New York Magazine

"Star Wars is somewhat grounded by a malfunctioning script and hopelessly infantile dialogue, but from a technical standpoint, it is an absolutely breathtaking achievement. The special effects experts who put Lucas' far-out fantasies on film—everything from a gigantic galactic war machine to a stunningly spectacular World War II imitation dogfight—are Oscar-worthy wizards of the first order. And, for his own part, Lucas displays an incredibly fertile imagination—an almost Fellini-like fascination with bizarre creatures.”

—Kathleen Carroll, New York Daily News

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