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40 Surprising Facts About Your Favorite Romantic Comedies

Metro-Goldwyn-Mayer Studios Inc.
Metro-Goldwyn-Mayer Studios Inc.

Once again, Valentine’s Day is upon us—a day when the phone lines at any restaurant worth its weight in conversation hearts are as jammed up as the Hallmark aisle at your local grocery store. Who needs that hassle? Why not spend the night in, binge-watching some of your favorite romantic comedies instead? Here are 40 fun facts to get you started.

1. PRETTY WOMAN WAS ORIGINALLY MUCH DARKER.


Buena Vista Pictures

Screenwriter J.F. Lawton’s original script, which was titled 3000, wasn’t a love story—and it didn’t have a happy ending. Instead of a rom-com about two very different people finding love, it was a grittier tale about two damaged individuals who spent a week together that ends in tears and zero hope for a balcony-set reunion scene.

2. THE TITULAR CHARACTERS IN WHEN HARRY MET SALLY… WERE MODELED AFTER DIRECTOR ROB REINER AND SCREENWRITER NORA EPHRON—EXCEPT FOR THE FALLING IN LOVE PART.

Rob Reiner divorced fellow director Penny Marshall in 1981 after 10 years of marriage. When he met with Nora Ephron in the mid-'80s, he pitched a number of ideas for movies, including a comedy based on his dating experiences. Ephron agreed to write it after extensively interviewing Reiner. The two had many discussions about how men and women view sex, love, and relationships differently.

3. TITANIC’S MOST ICONIC LINE WAS IMPROVISED.


Paramount Pictures

When Leonardo DiCaprio first got up on the end of the ship in Titanic, he improvised the line, “I'm the king of the world!” Cameron liked the line so much that he kept it in the movie. Though the line would go on to be parodied countless times—including at the Oscars—it landed at #100 on the American Film Institute's list of the greatest movie quotes.

4. THE PRINCESS BRIDE WAS WRITTEN FOR THE AUTHOR'S DAUGHTERS.

William Goldman, who wrote the novel The Princess Bride in 1973 and penned the screenplay, told Entertainment Weekly in an oral history of the movie, "I had two little daughters, I think they were seven and four at the time, and I said, 'I’ll write you a story. What do you want it to be about?' One of them said 'a princess' and the other one said 'a bride.' I said, 'That’ll be the title.'"

5. TRUMAN CAPOTE WANTED MARILYN MONROE TO STAR IN BREAKFAST AT TIFFANY’S.

Marilyn Monroe’s advisor and acting coach, Paula Strasberg, said she shouldn’t play a “lady of the evening,” and Monroe took her advice. Capote said Paramount Pictures “double-crossed me in every way” when they cast Audrey Hepburn instead. The outspoken author also proclaimed the movie to be the “most miscast film I've ever seen.” Over time, Capote would go on to say that Tuesday Weld or Jodie Foster would be good choices to play Holly Golightly in a remake.

6. ANDIE AND DUCKIE WERE SUPPOSED TO GET TOGETHER AT THE END OF PRETTY IN PINK.


Paramount Home Entertainment

Originally, Pretty In Pink ended with Andie (Molly Ringwald) and Duckie (Jon Cryer) ending up together. But that changed when Cryer was cast. “Molly dropped the bomb that she would’ve been fine with the original ending if Robert Downey Jr. had played Duckie, but since it was me, she just couldn’t see it,” Cryer said on the film’s 2006 Everything’s Duckie DVD edition. “It was like, ‘Wow, so I’m that unattractive?’ Thanks, Mol!”

Though director Howard Deutch wanted Cryer to play Duckie, he seemed to later regret it. “What I learned was that there are no rules, in the sense that life isn’t fair,” Deutch said in You Couldn’t Ignore Me. “Duckie should have the girl and it was all built for that and it was designed for that. And I could have ended that way, had I not f*cked with one thing: I cast Jon Cryer.”

7. GHOST TURNED DEMI MOORE INTO THE HIGHEST-PAID ACTRESS AT THE TIME.

By the time Ghost was released, Moore was already famous for her roles in St. Elmo’s Fire and About Last Night..., but she wasn’t considered a bankable star. After the unexpected $200 million domestic gross of Ghost, she hit box office gold with a trifecta of other huge hits: 1992’s A Few Good Men ($141,340,178), 1993’s Indecent Proposal ($106,614,059), and 1994’s Disclosure ($83,015,089). If you add up all of Demi’s film grosses, it comes out to more than $1 billion. In 1995, she was paid an unprecedented $12.5 million to take her clothes off in Striptease. The film wasn’t a huge hit, and a few years later she traded Hollywood for Idaho.

8. BEFORE THE PHILADELPHIA STORY, KATHARINE HEPBURN SPENT A FEW YEARS AS “BOX OFFICE POISON.”

It's hard to believe given her legendary status today, but after a string of flops in the 1930s, Hepburn was considered "box office poison." That was an official designation, by the way; a 1938 survey of theater owners labeled her as such, along with such luminaries as Fred Astaire, Greta Garbo, Mae West, Joan Crawford, and Marlene Dietrich. (The theater owners weren't wrong about those stars' movies not being big sellers, though perhaps it wasn't very nice of them to publish a list like that.)

9. SOME PEOPLE WALKED OUT OF THE FIRST AMERICAN SCREENING OF FOUR WEDDINGS AND A FUNERAL.

It was in Salt Lake City, Utah. The 30-person, Mormon-filled town council left the theater after witnessing the version of the opening scene with Charles saying "f**k." It was Hugh Grant’s first time seeing the entire film and he thought the walk-outs were a bad sign.

10. SAY ANYTHING’S LLOYD DOBLER WAS BASED ON CAMERON CROWE’S NEIGHBOR.


20th Century Fox Home Entertainment

The writer-director was having issues writing the leading man, but became inspired when he met his Alabama neighbor, Lowell Marchant. “He was this friendly guy with a crew cut who just wanted to meet everybody he could,” Crowe told Entertainment Weekly. “He knocked on the door and said, ‘Hello, I’d like to introduce myself. I’m Lowell Marchant. I am a kickboxer, and I’ll be living here for a little bit. Are you aware of the sport kickboxing? It is now a major sport covered by ESPN.’ I’d tell [executive producer James L. Brooks], ‘The character’s not coming, and there’s this f***ing guy down the way who keeps knocking on the door and he’s a kickboxer.’ And Jim’s looking at me like, ‘And you’re wondering what to write?’”

11. ANDIE MACDOWELL’S DRINK OF CHOICE IN GROUNDHOG DAY WAS FAMILIAR TO WRITER/DIRECTOR HAROLD RAMIS.

Rita drank sweet vermouth because it was Ramis’s wife’s favorite.

12. HUGH GRANT'S BLUE DOOR IN NOTTING HILL WAS WRITER RICHARD CURTIS'S BLUE DOOR.

Hugh Grant in 'Notting Hill'
Universal Pictures

The exterior of Will Thacker's (Hugh Grant) home in Notting Hillincluding the blue door—was once owned by screenwriter Richard Curtis. After the movie came out, the home's new owners—annoyed by all of the fans who came to visit the location—painted the door black. After it was sold again, the door was painted back to blue.

13. VIGGO MORTENSEN ALMOST PLAYED JAKE RYAN IN SIXTEEN CANDLES.

Viggo Mortensen and Molly Ringwald kissed during the audition, which made the future The Lord of the Rings star Ringwald's pick to play her love interest. “He made me weak in the knees," she told Access Hollywood. "He really did.” When the two co-starred in the movie Fresh Horses, Mortensen told Ringwald that he always thought he didn’t get the job because of his kissing.

14. WOODY ALLEN’S ORIGINAL IDEA FOR ANNIE HALL WAS COMPLETELY DIFFERENT. 

Although Annie Hall is now heralded as one of the most influential and inventive romantic comedies of all time, director and co-writer Woody Allen’s original mission was not to make a relationship picture. Allen and his writing partner, Marshall Brickman, instead conceived of the story as a general exploration of the main character’s life and psyche, which was to to be filled with romantic, mysterious, and fantastical subplots in equal parts.

The project, reflecting protagonist Alvy Singer’s persistent malaise, was first titled Anhedonia, a somewhat archaic psychiatric term referring to the inability to feel joy. The first cut of the movie ran about 140 minutes—almost 50 minutes longer than the final version.

15. SLEEPLESS IN SEATTLE REFERENCED THE SOUP NAZI, TWO YEARS BEFORE SEINFELD DID.


TriStar Pictures, Inc.

When a writer in Meg Ryan's office was pitching a story and talked of a man that “sells the greatest soup you have ever eaten” while simultaneously doubling as “the meanest man in America,” he was talking about Ali “Al” Yeganeh, the proprietor of Soup Kitchen International. For what it’s worth, Yeganeh is from Iran, not Germany.

16. STEVE CARELL LOST 30 POUNDS FOR THE 40-YEAR-OLD VIRGIN.

Though Judd Apatow was originally "nervous about it, because I don't think comedians wanting to look good is ever good for the comedy," he gradually realized that Steve Carell being "ripped" was a good idea. Because it helped establish that Carell's character, Andy, was only a virgin because he’s shy and nervous, not because of his looks.

17. A WHOLE BUNCH OF GIRLS ARE NAMED "AMÉLIE" BECAUSE OF THE MOVIE.

Assuming, in this case, that correlation equals causation. In 2000, the year before the movie came out, there were 12 babies in England and Wales given the name Amélie. The number shot up to 250 in 2002, and by 2007, there were around 1100 new Amélies per year. The number has held steady ever since. The trend was similar in the U.S., with Amélie not among the 1000 most popular names until 2003, when it suddenly leapt to 839th place and rose from there.

18. 10 THINGS I HATE ABOUT YOU CO-WRITER KAREN MCCULLAH’S HIGH SCHOOL BOYFRIEND INSPIRED THE TITLE.


Touchstone Pictures

During a Q&A with 10 Things I Hate About You screenwriters Karen McCullah and Kirsten Smith, McCullah revealed that, “The title is based on a diary entry I made in high school,” she explained. “I had a boyfriend named Anthony that I was frequently unhappy with. I made a list called 'Things I Hate About Anthony.' When Kirsten [Smith] and I decided to write this, I went through all of my high school diaries to bone up on the angsty memories, and when I told her about that list, she was like, ‘That’s our title.’” 

It turns out her ex-boyfriend likes the movie. “Anthony is very proud of that fact,” McCullah said. “We’re still friends today. And every now and then I’ll get a random phone call in the middle of night: ‘My nephew doesn’t believe that this title is about me. Tell him.’ On the phone, I’m like, ‘Yes, I hated Anthony in high school.’”

19. RICHARD LINKLATER, ETHAN HAWKE, AND JULIE DELPY KNEW CELINE AND JESSE WOULD SEE EACH OTHER AGAIN WHILE FILMING BEFORE SUNRISE.

“I always said that the movie was a litmus test for how you view romance,” Richard Linklater told The New York Times in 2004. “Some people would go: ‘It’s so clear. They will never get back together.’ People were so sure.” He said the viewer’s interpretation depends on their romantic history. Apparently Linklater, Julie Delpy, and Ethan Hawke are romantics—they knew Celine and Jesse would come back together.

20. CAMERON CROWE BELIEVED FRIENDS WAS A RIP-OFF OF SINGLES.

Cameron Crowe was asked by Warner Bros. Television to turn Singles into a TV series about “a group of six 20-something roommates searching for love.” Crowe decided not to do that. When Friends, a Warner Bros. show, debuted in 1994, the show was so familiar looking to Crowe that he had his lawyer look into it. Apparently, just enough of the details were changed that it wouldn’t be an easy lawsuit.

21. CHER USED SONNY BONO’S FAMILY AS A REFERENCE POINT FOR MOONSTRUCK.

Cher and Nicolas Cage in 'Moonstruck' (1987)
MGM

Cher, who is part Armenian and part Cherokee, didn’t know how Italian families worked. “I didn’t come from that kind of family. I really didn’t relate exactly to it, but I had a sense of it, like a distant sense of it,” she told Good Morning America. “Not like something that you can relate to first hand. I’ve known some families like that and I got feelings of it. After a while I thought I might be able to do this.”

But her Moonstruck family reminded her of her ex-husband’s family. “It kind of reminded me of Sonny’s family,” she told the Los Angeles Times. “Everybody eating and talking and shouting—but you have such good times.”

22. ONE OF THE BIGGEST STARS IN THE WORLD SHARED BILLING WITH AN UNKNOWN IN ROMAN HOLIDAY.

Gregory Peck already had 18 films and four Oscar nominations under his belt when he was paired with Audrey Hepburn, a newcomer who’d had small roles in a handful of movies but nothing substantial. Given his status, it’s no surprise Peck’s contract called for solo top billing in the credits. But shortly after shooting began, Peck called his agent and said Hepburn’s name should appear with his above the title. The agent: “You can’t do that.” Peck: “Oh, yes I can. And if I don’t, I’m going to make a fool out of myself, because this girl is going to win the Oscar in her very first performance.” So maybe he was being pragmatic more than generous, but still. Stand-up guy, that Peck (and a bit of a prophet, too).

23. MEG RYAN DIDN'T HAVE A COMPUTER BEFORE MAKING YOU’VE GOT MAIL.

"I got my first computer when I did that movie," Meg Ryan told Vanity Fair. "I think that the company gave us a computer."

24. CLUELESS IS PART OF AN UNOFFICIAL TRILOGY.

Paul Rudd and Alicia Silverstone in 'Clueless'
Paramount Home Entertainment

Amy Heckerling is well known for her forays into coming-of-age stories; the first was her directorial debut, the beloved 1982 comedy Fast Times At Ridgemont High. Clueless came in 1995 was followed up with the Jason Biggs-fronted Loser in 2000, Each comedy not only centered on teens, but also aimed to capture the adolescent zeitgeist of its era in a way that made them accessible and cool to all ages. Obviously, some worked better than others.

25. ACTRESS ALI MACGRAW PUSHED ROBERT EVANS TO CUT HAROLD AND MAUDE’S LOVE SCENE.

Of course, her Paramount boss husband tried to oblige. Director Hal Ashby furiously objected, saying, “That’s sort of what the whole movie is about, a boy falling in love with an old woman; the sexual aspect doesn’t have to be distasteful.” About the less-than-explicit scene, Being Hal Ashby author Nick Dawson wrote, “Ashby wanted to show the beauty of young and old flesh together, something that he knew the younger generation, the hippies, the heads, the open-minded masses would dig, but Evans said it would repulse most audiences, so it had to go.” In the end, Ashby won by sneaking the footage into the film’s trailer.

26. LOVE ACTUALLY’S AIRPORT OPENING AND CLOSING WAS SHOT WITH HIDDEN CAMERAS.

The footage of passengers being welcomed and embraced by loved ones at Heathrow Airport that bookends Love Actually was shot on location with hidden cameras for a week. In the film's DVD commentary, writer-director Richard Curtis explains that when something special was caught on camera, a crewmember would race out to have its subjects sign a waiver so the moment might be included in the film. This was a fitting production device, as Curtis claims that watching the love expressed at the arrival gate of LAX is what inspired him to write the ensemble romance in the first place.

27. JACK BLACK DIDN’T WANT TO BE IN HIGH FIDELITY.

Jack Black nailed his role as High Fidelity's hyperactive and pathologically insensitive record store employee Barry—which, in fact, John Cusack and company wrote with him in mind—but the actor initially had no interest in playing the part. It was director Stephen Frears who managed to save the day, pursuing Black until he eventually agreed to join the cast.

28. MEET THE PARENTS INSPIRED A CAT TOILET-TRAINING PRODUCT.

A scene from 'Meet the Parents'
Universal Studios

Jo Lapidge and her husband, Terry, came up with the idea for Litter Kwitter—a toilet-training tool for cats—after seeing Meet the Parents. (Litter Kwitters come with plastic rings you put over the toilet seat. Gradually the hole in the rings gets bigger until the rings aren’t needed at all.) On set, though, the cats weren’t actually trained to use the toilet.

29. JULIA ROBERTS TURNED DOWN THE LEAD IN WHILE YOU WERE SLEEPING.

Roberts was already flying high from the major success of Pretty Woman five years earlier, so the actress seemed like a solid pick for another charming romantic comedy about two very different people brought together by unexpected circumstances. Fortunately for Sandra Bullock, she turned down the role.

30. JULIA ROBERTS ALSO TURNED DOWN THE LEAD IN SLEEPLESS IN SEATTLE.

In a 2014 interview with InStyle, the Oscar-winning actress shared that she had been "offered Sleepless in Seattle but couldn't do it," adding that, "[Meg Ryan] and Tom Hanks are just such a jewel of a fit in that. I guess what they did for that moment in time is sort of what Richard [Gere] and I were doing across town (in the 1990 film Pretty Woman), you know?"

31. ETERNAL SUNSHINE OF THE SPOTLESS MIND MIGHT NOT BE FICTION MUCH LONGER. 


Focus Features

In 2014, scientists reported that they’d successfully manipulated mice’s memories, or at least the emotions associated with those memories. See, we form the informational part of our memories—the facts and events—in the hippocampus neighborhood of the brain. The emotions connected to them—how we feel about those facts and events—are stored down the road in the amygdala. Scientists messed with some mice’s amygdalae and basically reversed how they “felt” about prior lab experiences, changing an unpleasant association into a pleasant one, and vice versa.

The scientists were quick to point out that while this could be useful in erasing a person’s negative emotions about something in their past (for PTSD sufferers, for example), it would be a bad idea to actually make them forget that these events had happened. Which means they must have gotten the message of Eternal Sunshine of the Spotless Mind

32. CAMERON DIAZ HAD CONCERNS OVER THE "HAIR GEL SCENE" IN THERE’S SOMETHING ABOUT MARY.

Cameron Diaz was concerned that the audience would be too disgusted over the physical gag to laugh, which could possibly ruin her acting career. With those concerns in mind, another version of the date scenes was shot without anything in her hair. Once the viewers at a test screening heartily laughed at the scene with Ted’s product in Mary’s hair, Diaz was okay with it.

33. BEN STILLER ALSO HAD PROBLEMS WITH THE SCENE.

Ben Stiller couldn’t figure out how his character wouldn’t feel what was hanging on his ear, and even went so far as to suggest that it be written somewhere that Ted had somehow lost sensitivity in his ear. He was told to stop thinking about it.

34. THE EPIC FIGHT SCENE BETWEEN HUGH GRANT AND COLIN FIRTH IN BRIDGET JONES’S DIARY WASN’T CHOREOGRAPHED.

You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”

35. GHOST’S SUCCESS MADE ROMANTIC FILMS MORE VIABLE.

Summer tentpoles Die Hard 2 (starring Demi Moore’s then-hubby Bruce Willis), Total Recall, and Dick Tracy failed to claim a slot in the top five year-end box office, but romantic comedy Pretty Woman did. Like Ghost, Pretty Woman was yet another female-loved film that made a lot of money ($178 million domestic). “The success of Ghost and Pretty Woman has revitalized the romantic comedy, a genre that in recent years had become less appealing to Hollywood studios intent on making blockbuster action-adventure films,” read a 1990 article in The New York Times. In Ghost’s wake, The Bodyguard, Jerry Maguire, and Titanic all became huge hits for the romantic drama genre.

36. MY BIG FAT GREEK WEDDING BROKE A LOT OF RECORDS.

My Big Fat Greek Wedding made $241,438,208 in U.S. theaters, making it the highest-grossing romantic comedy in history, over $58 million ahead of What Women Want (2000). It's also the highest-grossing movie since at least 1982 to never be number one during any box office weekend. With a gross revenue (theater and home video sales) of approximately $369 million off of a $5 million production budget, it's also one of the most profitable movies ever made.

37. THE SCRIPT FOR JUNO WAS "DEEPLY PERSONAL" FOR DIABLO CODY.

Ellen Page in 'Juno'
Fox Searchlight Pictures

The Oscar-winning screenwriter based the story for Juno on her own life and wanted to tell a story that was “different” from the rest of Hollywood movies. “Juno is like a personal, emotional scavenger hunt for me," Cody told The Telegraph. "I dragged so many of my own experiences into it that I'm shocked the movie is so coherent. I managed to get every person, quirk, and object that has meaning in my life into the script. I wanted to make it deeply personal. I didn't want it to be generic."

38. THE ENDING OF LEGALLY BLONDE WAS CHANGED BECAUSE OF TEST AUDIENCES.

Initially, Legally Blonde ended with Reese Witherspoon and Luke Wilson kissing on the courthouse steps, then cutting to Elle Woods and Vivian forming a “Blonde Legal Defense Club.” Test audiences were too invested in what happened to Elle’s life to like that conclusion.

39. CHASING AMY WAS ORIGINALLY GOING TO BE A PG-13 MOVIE SET IN HIGH SCHOOL.

The studio initially suggested to Kevin Smith that he make Chasing Amy as a PG-13 high school movie. Smith thought about it for a time and wrote some scenes. Ethan Suplee was going to play one of the main characters, but then Smith changed his mind. "A week later, I was like, 'No,'" Smith told The A.V. Club. "Then the movie [Mallrats] tanked, and that sealed the deal. It was just like, that's the last movie I make that doesn't have anything on its mind."

40. BRIAN GRAZER CAME UP WITH THE IDEA FOR SPLASH WHILE DRIVING DOWN THE PACIFIC COAST HIGHWAY.

One night, while driving down the Pacific Coast Highway near Malibu in 1977, Brian Grazer—then 25 years old—thought about what it would be like to meet a mermaid and fall in love. For seven years, he was turned down by most Hollywood studios until he revised his pitch for Splash to be more of a love story between a man and a mermaid. Lowell Ganz and Babaloo Mandel, who penned Ron Howard’s Night Shift (1982), and Bruce Jay Friedman (Stir Crazy) were the credited screenwriters for Splash. The script was nominated for a Best Original Screenplay Oscar.

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25 Amazing Netflix Hacks to Enhance Your Viewing Experience
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We know you love watching the hottest movies and TV shows on Netflix, but are you getting the most out of the streaming service? If you want to binge-watch like a pro, any—or all—of these amazing hacks can help.

1. USE CATEGORY CODES TO FIND WHAT YOU REALLY WANT.

Watching Netflix on a smartphone
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If you feel like you’re seeing the same movies and TV shows on your Netflix homepage again and again, that's because the streaming company caters its recommendations to your taste through a highly specific algorithm. But if you’re in the mood for something different, Netflix breaks down each movie and TV show into more than 76,000 hidden categories, which are as broad as "Action & Adventure” or as detailed as “Critically-Acclaimed Witty Movies from the 1930s."

You can find category codes within the Netflix URL itself: The last four numbers in the web address correspond to each category code. It looks something like this: http://www.netflix.com/browse/genre/1365. So if you want “Exciting B-Horror Movies,” type in “2852” at the end of the URL (replacing the 1365 in the example)

. Do you want to find something in “Feel-Good Sports Movies For Ages 8 to 10?” That’s “855.” “Visually-Striking Movies For Ages 5 to 7?” Type in “2851” to unlock the category.

Check out a very extensive list of Netflix category codes here.

2. GET THE SUPER NETFLIX EXTENSION FOR BETTER VIDEO QUALITY.

If you’re watching Netflix via the Google Chrome browser, there’s a free extension called Super Netflix that can enhance your viewing experience. Once installed, the extension allows you to pick your video streaming quality instead of Netflix automatically doing it for you. This is ideal if you want the best video quality at home on your Wi-Fi connection, or if you want to reduce it on the go to save your data.

Super Netflix can also automatically skip TV show intros, blur plot descriptions and image thumbnails to prevent spoilers, enhance video brightness and color contrast, and speed up the video (just in case you want to binge-watch Stranger Things as quickly as you can).

3. MAKE EXTRA ROOM ON YOUR HOME SCREEN.

From American Vandal to Wormwood, Netflix Originals are highly entertaining and definitely worth watching. But sometimes you want to watch something that isn't produced by the streaming service. No Netflix Originals is a Google Chrome extension that does exactly what its name suggests: removes all Netflix Originals from your home screen, so you can see everything else Netflix has to offer.

4. DISABLE THE DREADED "ARE YOU STILL WATCHING?" PROMPT.

Are you tired of hitting that “Next Episode” button when you’re binge-watching a new TV show? The Never Ending Netflix Chrome extension puts an end to that inconvenience. After you install it, the extension allows you to skip titles sequences, automatically play the next episode, and disables the dreaded “Are You Still Watching?” prompt that pops up every couple of hours. The extension even lets you search Netflix by genre.

5. ADD NOTES TO YOUR FAVORITE TITLES.

Created by the good people at Lifehacker, Flix Plus is a Chrome extension that allows you to completely customize your Netflix viewing experience. It comes with 18 built-in customization settings, such as hiding spoiler descriptions and images, disabling a shrinking screen during end credits, and pinning your “My List” page to the top of the home screen. But the best feature is the ability to add notes to titles. Now you can add the reason why you added Wild Wild Country to your list or add a note about when Disney’s The Jungle Book will expire from the streaming service.

6. SEARCH HIDDEN CATEGORIES RIGHT FROM THE HOME SCREEN.

FindFlix: Netflix Secret Category Finder is a Google Chrome extension or Firefox add-on that allows you to search through all of the hidden category codes without leaving Netflix itself, instead of scrolling through a never-ending list on a separate website. Once installed, just search for a genre or whatever you’re in the mood to watch like “movies starring Sean Connery” or “movies for children between ages 2 and 4 years old.”

7. HOST A NETFLIX PARTY FOR ALL YOUR FRIENDS.

Do you want to watch BoJack Horseman with your significant other, but they are on the other side of the country? Don’t worry, Netflix Party has got your back! It's a handy Chrome extension that allows you to watch Netflix with anyone, even if they’re not in the same room, city, or even state.

After you install the extension, you can create a shareable link of what’s on Netflix. The link opens to the exact movie or TV show you’re watching at that moment, so you can watch together at the same time and perfectly synced. It even comes with a group chat feature, so you can comment on the action on the screen. Netflix Party is perfect for people in long-distance relationships, so you’ll never be accused of “Netflix Cheating” again.

In addition, if you’d like to take the party on the road, use Rabbit for Android and iOS. It’s a platform that allows you to watch Netflix, Hulu, Crunchyroll, YouTube, or just about any video streaming platform with your friends via mobile app or Chrome extension. You can even message or video chat with each other while you’re watching an episode of Ozark on the go!

8. AUTOMATICALLY SKIP OVER EVERY SHOW'S INTRO.

Are you sick of clicking the “Skip Intro” button when you’re watching a TV show on Netflix? SkipFlix is a handy Chrome extension that skips all intros automatically, so you don’t have to. Now you can spend more time binge-watching The Crown instead of fiddling with a mouse.

9. WATCH IN THE HIGHEST QUALITY HD POSSIBLE.

While web browsers like Google Chrome and Mozilla Firefox have a lot of useful extensions and add-ons, respectively, they're not the best browsers for streaming Netflix in the highest quality HD possible. Chrome (on Mac and Windows), Firefox, and Opera tap out streaming resolution at 720 pixels, while browsers like Apple’s Safari and Microsoft's Internet Explorer and Edge browsers delivers Netflix in full 1080 pixels.

It’s also important to consider your Wi-Fi connection. Netflix recommends at least 5.0 megabits per second download speed for HD quality. (For more helpful tips, here are some simple ways to boost your home Wi-Fi network.)

10. SEE A MOVIE'S DROP-OFF RATE BEFORE YOU START IT.

Enhancer by Simkl is a wonderful Google Chrome extension that works over multiple streaming platforms, including Netflix, Hulu, and Crunchyroll. Once you install it and register an account, you can hover your computer’s cursor over any title to reveal its IMDb score, TV rank, and even its drop-off rate—which means you can now see how many others stopped watching midway through a movie or TV show. And since it syncs with other streaming services, you can track your viewing habits across multiple services.

11. SORT MOVIES BY YEAR.

While Netflix features the ability to sort movies and TV shows by genre, there’s a simple hack that can also sort chronologically by year (at least in a web browser). Just go to a category page like horror, drama, or comedy and look for a small box with four dots inside on the upper right hand side of the page. It will then expand the “Suggestions for You” dropdown menu, which gives you the option to sort by year of release with the most recent titles at the top of the page and the older ones at the bottom. It can even sort in alphabetical or reverse alphabetical order.  

12. SAVE ON YOUR SUBSCRIPTION FEE WITH DISCOUNT GIFT CARDS.

Did you know you could pay your monthly bill with a Netflix gift card? Raise.com is a service where you can buy or sell gift cards for retailers like Target, CVS, Walgreens, and Rite Aid at a deep discount. If you buy one for, let’s say Rite Aid, at a 12 percent discount, you could then buy a Netflix gift card in-store to save money on your monthly bill. So if you buy a $100 Netflix gift card from Rite Aid, it would only cost you $88, which you could turnaround to save 12 percent on your Netflix bill, too.

In addition, you can even buy Netflix gift cards directly from Raise.com at a discount, but the savings won’t be as deep as ones from a retailer.

13. GET EASY ACCESS TO NON-NETFLIX REVIEWS.

While Netflix has its own user-generated rating system (thumbs up/thumbs down), you can use a trusty Google Chrome extension called RateFlix to add ratings from other rating aggregates. Once installed, IMDb ratings, “Rotten” or “Fresh” percentages, and Metacritic scores will appear in the movie's description.

14. BROWSE BY MICRO-GENRE, OR WHAT'S EXPIRING SOON.

So now that you know all about Netflix’s secret categories and codes, you have to admit that more than 76,000 micro-genres is far too many to remember. Luckily, Super Browse takes the most popular categories and makes it easy to navigate and scroll through the Netflix interface itself. Just click the genre you’d like to browse and the handy Google Chrome extension will do the rest. You can even browse by what’s new to Netflix and what’s expiring soon.

15. ROTATE THE VIDEO SO THAT BINGE-WATCHING IN BED ISN'T A LITERAL PAIN IN THE NECK.

This one is a game-changer! Instead of craning your neck to binge-watch Marvel’s Daredevil while lying down, Netflix Flip is a Chrome extension that will flip the video 90 degrees on your computer screen, so you can comfortably watch Netflix in bed. No more turning your laptop on its side to get a better viewing angle—Netflix Flip will do it for you.

16. BINGE-WATCH WHILE YOU WORK.

Sometimes you just want something playing in the background while you’re working on a spreadsheet, but it’s tough to always have video playing when there are other windows taking up space on your desktop. However, there’s a way to always have Netflix running in its own window that’s floating above everything else, if you watch it in a Helium web browser on a Mac.

Helium is a browser that keeps media playing in a transparent “floating” window that will never get lost behind other windows, even during task-switching. You can still click, double-click, drag, and scroll behind Helium and never interact with the micro-browser itself. It’s ideal for watching Netflix while working ... not that you would ever do that, of course.

17. FOCUS ON "WHAT'S NEW."

When it comes to new and old titles, Netflix is always adding to and subtracting from its catalog. To stay updated, you should take advantage of services like JustWatch or WhatsNewonNetflix.com to see all the great movies and TV shows that will appear or go away on Netflix.

18. VOLUNTEER TO TEST NEW FEATURES BEFORE THEY BECOME PUBLIC.

Do you want to be the first to try out new features from Netflix? The streaming service allows you to opt-in with “test participation,” which is where new features—such as new interfaces, new rating systems, and pre-roll trailers—are first rolled out. If you want to give it a shot, go to “Accounts,” then “Settings,” and look for the “Test Participation” toggle. Turn it on if you want to try the latest and greatest features from Netflix before everyone else.

19. ENABLE AUDIO DESCRIPTIONS SO THAT YOU DON'T MISS A THING.

If you can’t keep your eyes on a TV screen or mobile device, but still want to enjoy Netflix, there’s a handy little category hidden deep inside of the streaming service called “Audio Description” that offers narration explaining what the characters are doing on the screen. This hidden feature essentially turns your favorite movies and TV shows into an audiobook or a podcast.

It's chiefly seen on Netflix originals, but it’s perfect for anyone who wants to follow along with the latest episode of 13 Reasons Why or Grace and Frankie while taking a walk in the park.

20. CLEAR OUT YOUR “CONTINUE WATCHING” QUEUE.

Laptop open to Netflix in a cafe
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Over time, your “Continue Watching” queue can get overrun with half-watched Adam Sandler movies and episodes of The Ranch. (We're not judging.) You know you’re never going to finish Bright, so clear out your queue to make it cleaner and easier to navigate.

Go to “Account,” and then under “My Profiles” you’ll see an option for “Viewing Activity.” This is where Netflix stores everything you’ve ever watched on the streaming service. Simply click the “X” on anything you’d like to leave behind and Netflix will adjust your queue accordingly. And now you have more time for the things you actually want to watch.

This is also the method to use if you want to delete your Saturday afternoon binge-watching session of Fuller House before the other people on your Netflix account find out. (Again, we're not judging.)

21. STREAM IN 4K.

Streaming video in 1080p is so 2017; Netflix makes it possible to stream in full 4K resolution (2160p) with the streaming service adding new titles available in Ultra HD. If you meet all the requirements, like owning an Ultra HD TV, high-speed Internet (about 25 megabits per second downloads), and Premium subscription ($13.99 a month), you can access all of Netflix’s 4K content. Just type 4K or UltraHD into the search box to see all the titles available.

Please note, not every title on Netflix is presented in 4K, but it does offer more than 200 popular titles, including Alias Grace, Ugly Delicious, Chef’s Table, Okja, and Unbreakable Kimmy Schmidt. Just be aware that this can eat through your data plan: Netflix estimates that UltraHD uses 7 GB an hour.

22. CREATE DIFFERENT PROFILES FOR YOUR MANY CONTENT-CONSUMING PERSONALITIES.

Every Netflix account comes with five profiles for your friends and family to use, but if you don’t want to give out your password, you could always use those spare profiles for any occasion. Since Netflix recommends things you might like based on each specific profile's viewing habits, you can “train” it for your mood or special event.

For example: You can create a profile that’s entirely filled with horror movies and TV shows for a Halloween party, and another with rom-coms for date night for some real “Netflix and Chill.”

23. SET PARENTAL CONTROLS.

If you have children and want them to enjoy Netflix, but not its mature content, you can set up a special four-digit PIN code that will restrict what they can and cannot access. Go to “Account” (which should open up a web browser) and under “Setting,” you’ll find “Parental Controls.” Once you click the link, you’ll be prompted to enter the account's password and then be asked to create a special PIN code.

Afterwards, you’ll be asked to set the age restriction for “Little Kids” all the way up to “Adults.” If your child tries to access something that’s too mature, a prompt will appear on the screen asking for the PIN code. And since the child wouldn’t know the code, he or she won't be able to watch Disjointed or Hot Girls Wanted.

24. DOWNLOAD TITLES FOR OFFLINE VIEWING.

If you want to watch Netflix, but know that you'll be offline for a good period of time—like on a cross-country flight—you can simply download the title to your Android, iOS, or Windows 10 device and watch it offline with the download feature. You can even download movies and TV shows in standard or high definition.

However, not every title available on the streaming service is available for download. Netflix has a category called “Available for Download,” which is located under the menu option, where you can see all of the titles that are available to watch offline. Just look for the download icon and remember to download the desired titles before you lose your internet connection. Also, if you have an Android device, you can download more titles with the extra space provided on an SD card.

25. REQUEST THAT YOUR FAVORITE (CURRENTLY UNAVAILABLE) TITLES BE ADDED.

Friends watching a movie together on a laptop
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Netflix doesn’t have every title ever produced, and the titles they do have can leave on short notice as licensing deals expire. But if there’s something you want to watch and it never seems to be part of the streaming service’s ever-changing lineup, just ask Netflix directly for a movie or TV show and they might add it.

It might be a long shot, but you can actually request a new title for streaming. You can even call or start a live chat with Netflix to make a request. It just goes to show that the company is always on the lookout for more streaming content.

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Everything That's Leaving Netflix in June
CNN
CNN

There’s a whole slew of new movies, TV shows, and specials arriving to Netflix in June, which means that it’s time to get rid of some beloved-but-aging titles. If you’ve been dying to binge-watch Anthony Bourdain: Parts Unknown, you’d better hurry: seasons one through eight will disappear on June 16. Men in Black, My Left Foot, While You Were Sleeping, The Great Gatsby, and On Golden Pond will be waving bye-bye as well, so you’d better hurry up and start streaming. Here’s a list of everything that’s leaving Netflix in June.

JUNE 1, 2018

50 First Dates
8 Mile
Gridiron Gang
J. Edgar
Men in Black
My Left Foot
Neerja
Out of the Dark
Princess Kaiulani
The Angry Birds Movie
The Brothers Grimm
The Spy Next Door
The Young Victoria
Training Day
Untraceable
Vice
What Our Fathers Did: A Nazi Legacy
While You Were Sleeping

JUNE 2, 2018

Shark Men: Season 3

JUNE 8, 2018

Grace of Monaco

JUNE 9, 2018

The Trials of Muhammad Ali

JUNE 10, 2018

Bonnie and Clyde

JUNE 15, 2018

Drillbit Taylor
Naz & Maalik
The Giver
The Great Gatsby
Underdogs

JUNE 16, 2018

Anthony Bourdain: Parts Unknown: Seasons 1-8
Backstreet Boys: Show 'Em What You're Made Of
Curious George
Super

JUNE 18, 2018

Cedar Cove: Seasons 1-3

JUNE 20, 2018

Cake

JUNE 21, 2018

Baby Daddy: Seasons 1-6

JUNE 22, 2018

Sin City: A Dame to Kill For

JUNE 23, 2018

Curious George 3: Back to the Jungle

JUNE 25, 2018

Marvel Studios' Captain America: Civil War

JUNE 26, 2018

Alpha and Omega

JUNE 29, 2018

Bad Grandpa .5

JUNE 30, 2018

On Golden Pond

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