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Collection of the New-York Historical Society, Public Domain, Wikimedia Commons
Collection of the New-York Historical Society, Public Domain, Wikimedia Commons

20 Powerful Quotes From Frederick Douglass

Collection of the New-York Historical Society, Public Domain, Wikimedia Commons
Collection of the New-York Historical Society, Public Domain, Wikimedia Commons

In his 1845 memoir, A Narrative of the Life of Frederick Douglass, an American Slave, the famed abolitionist wrote that, “I have no accurate knowledge of my age, never having seen any authentic record containing it.” Later in life, Douglass—who was born into slavery in Maryland—chose February 14 as his official birthdate, with some historians speculating that he was born in 1818.

Douglass would, of course, go on to become one of the most powerful leaders of the anti-slavery movement, working as an advisor to Abraham Lincoln during the Civil War and later becoming the first African American citizen to hold a government position. In 1872, he was Victoria Woodhull’s running mate in her bid for the presidency (even though he never officially accepted or acknowledged the nomination). He was also a dazzling orator, as these 20 quotes prove.

1. ON THE RELATIONSHIP BETWEEN PROGRESS AND STRUGGLE

“If there is no struggle, there is no progress. Those who profess to favor freedom, and yet depreciate agitation, are men who want crops without plowing up the ground. They want rain without thunder and lightning. They want the ocean without the awful roar of its many waters. This struggle may be a moral one; or it may be a physical one; or it may be both moral and physical; but it must be a struggle. Power concedes nothing without a demand. It never did and it never will.”

2. ON THE UNIVERSALITY OF SORROW

“A smile or a tear has not nationality; joy and sorrow speak alike to all nations, and they, above all the confusion of tongues, proclaim the brotherhood of man.”

3. ON THE VALUE OF EDUCATION

“Some know the value of education by having it. I know its value by not having it."

4. ON THE DENIAL OF JUSTICE

“The American people have this to learn: that where justice is denied, where poverty is enforced, where ignorance prevails, and where any one class is made to feel that society is an organized conspiracy to oppress, rob, and degrade them, neither person nor property is safe.”

5. ON MEASURING INJUSTICE

“Find out just what any people will quietly submit to and you have the exact measure of the injustice and wrong which will be imposed on them.”

6. ON EMPOWERING YOUTH

“It is easier to build strong children than to repair broken men.”

7. ON MORAL GROWTH

“A battle lost or won is easily described, understood, and appreciated, but the moral growth of a great nation requires reflection, as well as observation, to appreciate it.”

8. ON THE SECURITY OF A NATION

“The life of a nation is secure only while the nation is honest, truthful, and virtuous.”

9. ON THE NEED FOR POWER

“It is not light that we need, but fire; it is not the gentle shower, but thunder. We need the storm, the whirlwind, and the earthquake.”

10. ON FREE SPEECH

“To suppress free speech is a double wrong. It violates the rights of the hearer as well as those of the speaker.”

11. ON REBELLION

“The thing worse than rebellion is the thing that causes rebellion.”

12. ON THE CONSEQUENCE OF SLAVERY

“No man can put a chain about the ankle of his fellow man without at last finding the other end fastened about his own neck.”

13. ON RIGHT VERSUS WRONG

“I would unite with anybody to do right and with nobody to do wrong.”

14. ON WORKING FOR WHAT YOU GET

“People might not get all they work for in this world, but they must certainly work for all they get.”

15. ON THE POWER OF KNOWLEDGE

“Knowledge makes a man unfit to be a slave.”

16. ON THE NECESSITY OF IRONY

“At a time like this, scorching irony, not convincing argument, is needed.”

17. ON REMAINING TRUE TO ONESELF

“I prefer to be true to myself, even at the hazard of incurring the ridicule of others, rather than to be false, and to incur my own abhorrence.”

18. ON THE IMPENETRABILITY OF ONE’S SOUL

“The soul that is within me no man can degrade.”

19. ON THE COLOR OF ONE’S CHARACTER

“A man's character always takes its hue, more or less, from the form and color of things about him.”

20. ON USING THE PAST TO MAKE A BETTER FUTURE

“We have to do with the past only as we can make it useful to the present and the future.”

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Art
5 Things You Might Not Know About Ansel Adams

You probably know Ansel Adams—who was born on February 20, 1902—as the man who helped promote the National Park Service through his magnificent photographs. But there was a lot more to the shutterbug than his iconic, black-and-white vistas. Here are five lesser-known facts about the celebrated photographer.

1. AN EARTHQUAKE LED TO HIS DISTINCTIVE NOSE.

Adams was a four-year-old tot when the 1906 San Francisco earthquake struck his hometown. Although the boy managed to escape injury during the quake itself, an aftershock threw him face-first into a garden wall, breaking his nose. According to a 1979 interview with TIME, Adams said that doctors told his parents that it would be best to fix the nose when the boy matured. He joked, "But of course I never did mature, so I still have the nose." The nose became Adams' most striking physical feature. His buddy Cedric Wright liked to refer to Adams' honker as his "earthquake nose.

2. HE ALMOST BECAME A PIANIST.

Adams was an energetic, inattentive student, and that trait coupled with a possible case of dyslexia earned him the heave-ho from private schools. It was clear, however, that he was a sharp boy—when motivated.

When Adams was just 12 years old, he taught himself to play the piano and read music, and he quickly showed a great aptitude for it. For nearly a dozen years, Adams focused intensely on his piano training. He was still playful—he would end performances by jumping up and sitting on his piano—but he took his musical education seriously. Adams ultimately devoted over a decade to his study, but he eventually came to the realization that his hands simply weren't big enough for him to become a professional concert pianist. He decided to leave the keys for the camera after meeting photographer Paul Strand, much to his family's dismay.

3. HE HELPED CREATE A NATIONAL PARK.

If you've ever enjoyed Kings Canyon National Park in California, tip your cap to Adams. In the 1930s Adams took a series of photographs that eventually became the book Sierra Nevada: The John Muir Trail. When Adams sent a copy to Secretary of the Interior Harold Ickes, the cabinet member showed it to Franklin Roosevelt. The photographs so delighted FDR that he wouldn't give the book back to Ickes. Adams sent Ickes a replacement copy, and FDR kept his with him in the White House.

After a few years, Ickes, Adams, and the Sierra Club successfully convinced Roosevelt to make Kings Canyon a national park in 1940. Roosevelt's designation specifically provided that the park be left totally undeveloped and roadless, so the only way FDR himself would ever experience it was through Adams' lenses.

4. HE WELCOMED COMMERCIAL ASSIGNMENTS.

While many of his contemporary fine art photographers shunned commercial assignments as crass or materialistic, Adams went out of his way to find paying gigs. If a company needed a camera for hire, Adams would generally show up, and as a result, he had some unlikely clients. According to The Ansel Adams Gallery, he snapped shots for everyone from IBM to AT&T to women's colleges to a dried fruit company. All of this commercial print work dismayed Adams's mentor Alfred Stieglitz and even worried Adams when he couldn't find time to work on his own projects. It did, however, keep the lights on.

5. HE AND GEORGIA O'KEEFFE WERE FRIENDS.

Adams and legendary painter O'Keeffe were pals and occasional traveling buddies who found common ground despite their very different artistic approaches. They met through their mutual friend/mentor Stieglitz—who eventually became O'Keeffe's husband—and became friends who traveled throughout the Southwest together during the 1930s. O'Keeffe would paint while Adams took photographs.

These journeys together led to some of the artists' best-known work, like Adams' portrait of O'Keeffe and a wrangler named Orville Cox, and while both artists revered nature and the American Southwest, Adams considered O'Keeffe the master when it came to capturing the area. 

“The Southwest is O’Keeffe’s land,” he wrote. “No one else has extracted from it such a style and color, or has revealed the essential forms so beautifully as she has in her paintings.”

The two remained close throughout their lives. Adams would visit O'Keeffe's ranch, and the two wrote to each other until Adams' death in 1984.

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presidents
George Washington’s Incredible Hair Routine

America's Founding Fathers had some truly defining locks, but we tend to think of those well-coiffed white curls—with their black ribbon hair ties and perfectly-managed frizz—as being wigs. Not so in the case of the main man himself, George Washington.

As Robert Krulwich reported at National Geographic, a 2010 biography on our first president—Washington: A Life, by Ron Chernow—reveals that the man “never wore a wig.” In fact, his signature style was simply the result of an elaborately constructed coiffure that far surpasses most morning hair routines, and even some “fancy” hair routines.

The style Washington was sporting was actually a tough look for his day. In the late 18th century, such a hairdo would have been worn by military men.

While the hair itself was all real, the color was not. Washington’s true hue was a reddish brown color, which he powdered in a fashion that’s truly delightful to imagine. George would (likely) don a powdering robe, dip a puff made of silk strips into his powder of choice (there are a few options for what he might have used), bend his head over, and shake the puff out over his scalp in a big cloud.

To achieve the actual ‘do, Washington kept his hair long and would then pull it back into a tight braid or simply tie it at the back. This helped to showcase the forehead, which was very in vogue at the time. On occasion, he—or an attendant—would bunch the slack into a black silk bag at the nape of the neck, perhaps to help protect his clothing from the powder. Then he would fluff the hair on each side of his head to make “wings” and secure the look with pomade or good old natural oils.

To get a better sense of the play-by-play, check out the awesome illustrations by Wendy MacNaughton that accompany Krulwich’s post.

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